Horizon holds two states simultaneously.

Unlit, it presents as a precise horizontal or vertical blade of brushed brass — industrial in its restraint, architectural in its presence. Lit, it becomes something else entirely: a luminous horizon line that evokes dawn breaking across still water, projecting delicate colour gradients onto the wall in a pattern governed by the internal geometry of its brass profiles.

The symmetry of the form allows installation in either orientation without compromise. Both read as resolved compositions. The choice is spatial, not aesthetic.

Inspired by the eternal rhythms of nature and the invisible order of crystalline structures, Horizon is a piece about duality — the coexistence of the quiet and the spectacular.